Phillip Semenko has got Diane to pose for him. He is having troubles with the painting, not knowing why, but he comes to the conclusion that Diane has lost the anguish that was making the expression of the portrait so brilliant. In their discussing Sam, Diane confesses that their relationship is a troubled one, where they are two opposites, and she gets the feeling that Sam often likes to hurt her, which Sam had admitted to others in the past. That discussion was enough to bring back her angu ...[Read Story ]