Lean-faced, intense-looking, German-born, Canada-raised Paul Koslo was at his busiest during the 1970s, usually playing shifty, untrustworthy and often downright nasty characters. He first broke into films at age 22 in the low-budget Little White Crimes (1966), and then appeared in a rush of movies taking advantage of his youthful looks, including cult favorites Vanishing Point (1971) and The Omega Man (1971), and the western Joe Kidd (1972), martial arts blaxploitation flick Cleopatra Jones ...[Read Story]